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In high school, I struggled to write clear, concise prose. My command of structure was minimal, and I didn鈥檛 make effective use of sources to inform my analysis. I also had difficulty differentiating between summary and analysis, much to the chagrin of my teachers, who worked diligently to help me hone my writing.

However much I struggled, it was only when I found my passion for news reporting that I began to succeed as a writer鈥攕o much so, in fact, that I now teach journalism to my history students, hopeful that they too will benefit from combining history and journalism.

I recently discussed this with Adam Hochschild, a journalist who co-founded Mother Jones and has written eight nonfiction books, including one of my favorites, King Leopold鈥檚 Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa.

鈥淪pending ten years as a magazine editor was hugely useful to me,鈥� he wrote in an email. 鈥淎ll the time you are making judgments: Are people going to want to read this article? Why? Why not? How can we make it better? Does it need more scenes, characters, suspense?... Those are things that a historian always has to think about if you want people to read what you write.鈥�

In my experience, teaching journalism reinforces information gathering, effective writing skills, and audience engagement.

Information Gathering

Preston Michelson, who recently graduated from Northwestern University with degrees in journalism and political science, agrees with Hochschild. He was the founding editor of The Falconer, the student news site of Palmer Trinity School in Palmetto Bay, Florida, which I once advised. I also taught him in several history classes.

His experience as a high school journalist taught him two skills that were valuable in the college classroom: clarity and information gathering.

鈥淭he role of a journalist is to act as a sort of expert no matter the newness and complexity of the topic, and that calls for doing your homework on every story,鈥� he said. 鈥淚 conducted research for my history and political science research papers with much the same intensity.鈥�

Effective Writing Skills

Journalism also teaches effective writing skills, a point made by Nicole Font, who recently graduated with a teaching degree from High Point University. In high school, she says, she found it difficult to write clearly and concisely. A specific turning point, she told me, was when she enrolled in my history and journalism classes.

鈥淚 was immediately challenged to hone my writing and trim unnecessary words that I used to sound 鈥榠nteresting鈥� or 鈥榤ore intelligent,鈥欌�� she said. 鈥淎s a result, I found that my writing鈥攊n all subjects鈥攄eveloped so that I was writing for more than just my high school teachers. I could piece together paragraphs and join ideas in a more natural way, which contributed to my success as a writer in high school and college.鈥�

Font鈥檚 comments remind me of conversation I had with Sam Ravina, the former editor-in-chief of The Gator, an award-winning student site that I advise. Ravina said the newsroom helped him succeed at Brimmer and May, in Chestnut Hill, Massachusetts, where I currently teach.

When you learn to write about events with a 鈥減iercing objectivity,鈥� Ravina told me, you can transfer that skill to numerous forms of communications. He believes that journalism is as fundamental as English or history, and credits his time in the newsroom with his success in other academic classes.

Audience Engagement

Introducing students to journalistic writing also helps them engage an audience. Too often, teachers ask that students follow a formal, academic structure鈥攁 worthwhile endeavor, but not if it precludes introducing history students to different forms of written expression.

To address this deficiency, when teaching about Andrew Jackson I read aloud several of my favorite passages from American Lion, a biography by Pulitzer Prize鈥搘inning author Jon Meacham, a former editor-in-chief of Newsweek.

I recently spoke with Meacham, curious about whether he thinks historians, in the trenches of archival research, could or should learn from how he crafts engaging narratives, which appeal to a wider readership than historical monographs might.

鈥淚t鈥檚 not my place to lecture or speculate on other people鈥檚 literary styles,鈥� he said. 鈥淚f we are writers, we all have different seasons, if you will.... There鈥檚 room for everything.鈥�

Meacham nails what I hope to convey to my students, that even as teachers defend the virtues of the five-paragraph essay, they should also make room in the curriculum for not just narrative writing but journalistic writing as well.

If you鈥檙e still not sold on the potential value of teaching journalism to history students, Meacham says, 鈥淚 see a direct connection between what I learned in journalism and what I'm doing now,鈥� explaining that insofar as he has anything to say in his books, it鈥檚 because journalism exposed him to politics and public life at an early age.